I worked with, or worked close by, Paul Wyand from 1945 to 1956 and from 1961 to 1967. He was a gentleman and thoroughly deserved the accolade of being the finest newsreel cameraman of his day.
He specialised in the “Swing” shot whereby he would follow a fast moving vehicle, or animal, keeping a precise distance between the subject and the edge of frame. This skill was obtained by practice and dedication. However, he was a great cameraman in other ways at a time when there were no production managers, assistants or fixers to help and certainly no journalists. Paul made all his own arrangements and everything required of a film crew was achieved by him and his soundman. In that respect, it was the same for all the newsreels cameramen. Read more